[There are many other resources referenced in individual articles that are yet to be included here. The formats are are also yet to be homogenised]
Generative / Algorithmic Music
David Cope: https://www.youtube.com/watch?v=f_ZSR9E_8x0
Sara Adkins – Creating with the Machine: Algorithmic Composition for Live Performances https://www.youtube.com/watch?v=-uvXe02qxQM Article: https://hackaday.com/2019/12/04/sara-adkins-is-jamming-out-with-machines/
Wooller, R., Brown, A. R, et al. A framework for comparing algorithmic music systems. In: Symposium on Generative Arts Practice (GAP). 2005. University of Technology Sydney.
Collins, N. 2008. The analysis of generative music programs. Organised Sound, 13(3): 237–248.
Cope, David . 1991. Computers and musical style. Madison, Wis.: A-R Editions.
Dorin, A. 2001. Generative processes and the electronic arts. Organised Sound, 6 (1): 47-53.
Eno, B. 1996. Generative Music. http://www.inmotionmagazine.com/eno1.html (accessed 26 February 2009).
Essl, K. 2002. Generative Music. http://www.essl.at/bibliogr/generative-music.html (accessed 22 Mar 2010).
Lerdahl, F. and R. Jackendoff. 1982. A generative theory of tonal music. Cambridge, Mass: MIT Press.
Loy, G. and C. Abbott. 1985. Programming languages for computer music synthesis, performance and composition. ACM Computing Surveys, 17 (2): 235-265.
Nierhaus, G. Algorithmic Composition – Paradigms of Automated Music Generation. Springer 2009.
Generative Linguistics & Poetry
Jonathan P. Eburne, and Andrew Epstein. “Introduction: Poetry Games.” Comparative Literature Studies 51, no. 1 (2014): 1-17. Accessed October 15, 2020. doi:10.5325/complitstudies.51.1.0001.
Bachelard, Gaston. 1969. The poetics of space. Boston: Beacon Press.